Collider, Presentation Residency, Project 100, Nelson, NZ

by Mia Straka


During this month-long residency, Jess Winchcombe and I will use Project100 as an evolving environment where jewellery, objects, photography, performance and unexpected encounters collide.

Together, we will disrupt the gallery space to present contemporary art jewellery in innovative, immersive ways, bridging the public gallery and the intimacy of the body. We aim to be accessible yet boundary-pushing, welcoming audiences new to jewellery as an art form while invigorating our jewellery community and engaging with Whakatū.

Thanks to Makers101 and Project 100.

Updates


NZFW Collar Show, Hard Core, Auckland - GYM Art Centre, Ōtautahi, NZ

by Mia Straka in


Bringing together over 60 creatives from across Aotearoa, each has responded to the collar through the lens of their own practice. From fashion and jewellery to weaving, costume, textiles and expanded contemporary disciplines, every piece reflects an individual voice while contributing to a larger collective story.

Personally conceived and made by hand, these works celebrate craftsmanship, process and the enduring value of making.

Curated by Lela Jacobs.


Land of the long white cloud: Aotearoa Exchange at Munich Jewellery Week

by Mia Straka in ,


Mia Straka reflects on the Handshake Project’s journey from the solitary isolation of pandemic lockdowns to a crowded Munich foyer, revealing how jewellery performs connection across distance.

Article in Garland magazine , Mia Straka, 1 June 2026

In performance: Aotearoa Exchange in the Grand Circular Foyer of the Pinakothek der Moderne, Munich 2026

In the Grand Circular Foyer of the Pinakothek der Moderne, we stood wearing clouds.

We were there as part of Munich Jewellery Week—an annual convergence that transforms the city into a dense network of exhibitions, performances, and gatherings centred on contemporary jewellery. Anchored by the long-running Schmuck exhibition, the week brings together artists, educators, students, curators, collectors, and galleries from across the world. For many, it is the field’s key international meeting point.

Our group of jewellers and educators—Mia Straka, Jessica Winchcombe, Grace Yu Piper, Lisa van Hulst, Amelia Rothwell, Hilda Gascard and Peter Deckers—were invited to present a performative installation at the Pinakothek der Moderne, in collaboration with Die Neue Sammlung, Germany’s leading museum for modern and contemporary design, as part of its 100-year anniversary programme. More than forty jewellery classes from twenty-five countries were asked to present their work simultaneously within the museum.

The brief was deliberately minimal: no fixed or large display systems, no set-up time, no electrical elements or tools from the museum. Jewellery was to be activated through the body—worn, carried, or performed within a shared space over the course of a two-hour event.

Full article


Minumental, Brunswick Street Gallery, Naarm - Melbourne, Radiant Pavilion 2024

by Mia Straka in ,


Life is built of a series of moments on moments, both conscious and unconscious, over time and space. MINUMENTAL brings together a group of 12 contemporary jewellers whose work tracks, maps, and documents gestures honouring the everyday.

The concept of MINUMENTAL explores the tension between monument and significance within the minutiae of everyday life. Moments, routines, gestures, repetitions of actions, which might ordinarily be deemed to hold little value, when highlighted can bear great significance — subconscious actions transformed by a conscious lens. Artists are all former members of the HANDSHAKE 6 jewellery mentoring programme (NZ) and have been working and exhibiting together since 2020. This project will build off the first iteration of MINUMENTAL, shown at Nelson Jewellery week (NZ) in 2023

Mia Straka's collection zoom both out and in to address the theme of Minumental. 

An Idyllic Summer's Day - MF was the starting point as the last piece made for Minumental '23, taking the form of a digitally rendered radar chart documenting an ideal day in the life of a fellow creative. The larger scale Helicoid and delicate geometry of Electronegativity draw on the micro forms of elemental structures that connect us all. Poet's Choker responds to the humanitarian crisis in Gaza with a phrase from a poem by Palestinian poet Rawan Hussin, Dawn - ‘weave hours and wear them’. The form of a knuckleduster is subverted in the finely crafted Quiet Revolution to communicate the power of personal action, which has the potential to be made monumental through critical mass.


PSITHURISM, Luma - Southern Light Project - Queenstown, 2024

by Mia Straka in ,


Sam Folkard Hodgson, Michael Hodgson, Mia Straka, Silo, Tim Buckley

PSITHURISM, the delicate whisper of wind through the foliage, an enchanting melody that reasonates deeply with or primal connection to nature.

Video by Sophia Bayly

Step into where the air is alive with gentle rustling and light filters through the canopy above. A breathing forest crafted from light and sound.

This installation was made possible with support from staysouth.com


67206 Days/2276 Full Moons, Stanley Street Gallery, Sydney, 2024

by Mia Straka in ,


The Quiet Revolution series considers the transformative potential of creativity and collectivity.

How do we stand up against violence and oppression through the act of making?

Through action I find agency and purpose, working through feelings of being powerless or hopeless. Using our hands and minds as creative practitioners we actively show strength and solidarity and share a fundamental sense of humanity, facilitating connection. 

These works are offered as catalysts. You the wearer animate and activate the work using your physicality in collaboration with your environment. The work then goes beyond any intention imbued by the individual to be an evolving, social mode of communication.

We tell stories through symbols, some recognised the world over. Graceful linearity follow the curves of the hand, suggestive of a speech bubble or the spiralling koru unfolding, signifying new life, hope for the future and renewal. A circle can be the first way we draw the sun, in Aboriginal art a circle or concentric circles can represent places that people come together. The fishnet pattern worn on Keffiyeh scarves has come to express Palestinian solidarity, originating from the connection between Palestinian fishermen and the sea, embodying abundance and grace.

As I write this, every 10 minutes in Gaza another child is killed. We are bearing witness to a genocide and the massive public outcry is yet unheeded by our Western governments. At home in Aotearoa, the newly elected coalition government’s Treaty Principles Bill seeks to undermine Māori rights as tangata whenua, prioritising individualism over collectivity. Last year’s referendum to give First Nations people a voice in Federal parliament was voted with a majority against in all six of Australia’s states.

These works provide space to explore the contradictions of living in post-colonial nations as we strive to acknowledge, empower and embrace the wisdom and culture of indigenous people and minority groups within the oscillations of our governing bodies. Navigating disappointment in our political systems to uphold justice and basic humanitarian values both at home and on a global scale; issues of power, violence, silence and inaction can only be balanced by building strong communities based on solidarity, collectivity and real-time action. 

A Quiet Revolution begins internally, challenging deeply embedded prejudices and disconnection, evolving externally to embrace diversity and recognise the power and beauty of interconnection. 

We hold the power in our hands.


Morph, Northart, Auckland

by Mia Straka


‘MORPH’ represents the final body of work created by the twelve artists of Handshake 6.

MORPH refers to transformation, this exhibition seeks to demonstrate that quality through the development of each participant’s practice that came together with both the engagement of their mentors and each other.

Morph derives from the Greek morphē, meaning ‘form’, ‘shape’, or ‘structure’- all key attributes of the jewellery practice.

catalogue

exhibition images

artsdiary coverage


ON-E, online exhibition

by Mia Straka


CHECK out HS6 ‘online exhibition’, which attempts to contextualise (jewellery) ideas and processes. HS6 did a series of Zoom workshops between April – October about online exhibiting called

ON-E by: Estela Saez Vilanova (CAT-ES)

This special masterclass with Estela Saez workshops how an online presence could break away from all known presentation methods (on the body or displayed). This digital gateway invited the HS6 artists to come up with innovative ideas and experiments. 


Chain Reaction, Refinery Art Space, Nelson

by Mia Straka in ,


Many hands make light work | Know like the back of your hand | Put your hands together | Cold hands warm heart | Show of hands | Dab hand | First Hand | Hand in hand | Hands on | Heavy handed | Old hand | Out of hand | Under hand | Change hands | Hand over | Hands full | Hands tied | In safe hands | Try your hand | Hands down | Second hand | In good hands | Helping hand | On hand | Get your hands dirty | Hand over fist | On the other hand | In your hands

 The brief for CHAINreaction was to make a chain which would connect into a series of 49 chains, celebrating 10 years of the Handshake project and artists involved, each of us was responsible for the linking connection to our righthand neighbouring chain. This was a timely invitation to step back into making work that could function both as adornment or object. 

Key concepts I wanted to express included interconnectivity, collectivity and a desire to celebrate the precious impermanence of life in these weird times. In response to being part of the HandShake6 team I was drawn to exploring the form of the hand as our tools for making, medium for touch, sign and gesture. 

I made two of these bamboo ‘hands’ which connect together as a chain, with a hand at each end and can be worn or configured in multiple ways. Bamboo attracted me for it’s plentiful weedy growth, bony form and tubular structure. The movement of the joints was an important element to me. To invoke a sense of jointed fingers rather than being too floppy I burred out concave curves in the bamboo ends to accommodate the round beads and strung the work on braided steel wire rather for some additional flex.

Review

Exhibition images


Signing In, Te Auaha, Wellington

by Mia Straka in ,


SIGNING IN reflects the participants’ work as a group since the start of their HS6 mentorship and marks the halfway point of their two-year journey.

Here you will see an emphasis on process as much as ‘finished’ work, an opportunity to catch a glimpse of ideas in their nascent phase, with many options and opportunities yet to emerge.

Reflections and install images.


Schmetterlinge Rising, Allpress studio, Auckland

by Mia Straka in


New solo show in Auckland City 8-19 July, opening night 9 July 5:30-7:30pm all welcome!

This exhibition is led by ideas of transformation, reusing/reconstructing waste materials and disused objects to create adornment for the Anthropocene. Jewellery and objects made during last year’s artist residency in Berlin are juxtaposed with work…

This exhibition is led by ideas of transformation, reusing/reconstructing waste materials and disused objects to create adornment for the Anthropocene. Jewellery and objects made during last year’s artist residency in Berlin are juxtaposed with work made with the same ethos back in NZ, informed by an intuitive response to environment and personal experience.

Schmetterlinge translates as butterflies, referring to the massive changes required imminently as a global community moving towards environmental sustainability, adapting to mass population movements and climate change.

Despite the heaviness of both historical context and our current precipitous position, the work displays a wry sense of humour and colourful outbursts, finding my own ways to move forward with joy and wonder at life and the power of nature to overcome, one way or the other.

Thanks to Allpress Press Studio, Thornbury Wines and Workshop6 for your wonderful support.

Images thanks to Liz Clarkson Photography


TempFest - Whakanewha Regional Park, Waiheke

by Mia Straka in


TempFest took place on Waiheke Island on Sat March 23, organised by Craig Folz and Kristin D’Agostino. The idea was to create temporary, interesting, informal, fun works or happenings. As a creative writer Craig organised performances by poets and Kristin the installations, including visual artists, a tea ceremony, tidal poetry and drawing, plus interactive art experiences. The crowd was a mix of people, families camping and day visitors. I made a Talisman3 installation, adding to the mix of tikanga Māori and global values words with some Arabic words derived from Islamic tradition. Together with those present at Tempfest we hung 50 banners in the trees at Whakanewha park, a small gesture in acknowledgement of the 50 lives lost in the Christchurch mosque attacks on March 15th. and to express solidarity with all those affected. As-Salaam- Alaikum.